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by Carla Nappi CONJECTURES #4 For the most part, working professional historians bring to their sources a fundamentally forensic sensibility: they tend to treat their archival scraps like so many clues , which, rightly read, permit the reconstruction of events and persons. There is much to be said for this program, which works pretty well. But it does have its limits. For instance, certain old tidbits afford a queer intimacy with the past that seems to exceed their evidentiary utility. A death mask may display, trapped in white plaster, a single hair once belonging to the human whose visage we contemplate. The hair is of severely limited utility to a practicing historian, yet it rather seethes with an urgent presencing of the past — and that clearly has something to do with the work of history. So what’s to be done? In this excerpt from a larger project, the imaginative historian of Chinese science Carla Nappi permits a dreamscape to rise from four archival fragments — four obliqu...